Di Vera Stanhope “loves” a good murder. However, when two bodies are found, separated by distance, but connected by their fascination for moths, she’s more than puzzled. What linked these two people that someone would find the need to kill them? While she sends her detectives, Holly and Joe, off to do the routine background checks and questions, Vera focuses on the people in the quiet community of Valley Farm in Northumberland where the murders took place.
For as much as the residents of Valley Farm portray themselves as friends and good neighbors, Vera sees this disparate group of people as sheltering secrets. And one of these people, because of his or her secret, has committed murder – twice.
Cleeves has given us the smallest of clues along the way in this novel so the “reveal” was quite a surprise. I enjoy the rapport that Vera has with her detectives – mentoring them but not letting them get away with any guff.
So when one or the other of them takes the initiative and puts themselves in danger, she’s like a mother doling out “tough love”. They couldn’t be any luckier having her as their DI and are slowly coming to this realization.
The unrelenting rain in the Cotswold village of Weston St. Ambrose brings more than floods and destruction as Christmas approaches. What it does bring is a body – that of a young woman who worked at the local pub. For Neil Stewart, the discovery of the body under his own mooring is even more disconcerting when he recognizes her as “Courtney”, the barmaid who served him and his fellow writers at their local Club dinner. Inspector Jess Campbell soon learns that Courtney was the daughter of the town villain, Teddy Higson, currently serving time at her Majesty’s pleasure. As her investigation proceeds, Jess is constantly pulled back to the Fishermans’ Rest, the pub where the Writers’ Club last met. She’s certain that something that happened at that dinner, with that group of writers, led to Courtney’s death. But the clock is ticking to find the killer before Teddy Higson is released on compassionate grounds and decides to solve his daughter’s murder himself.
Granger takes quite a different tone with this series in comparison to that of Mitchell and Markby, the one I’m most familiar with. Teddy Higson and the members of the writer’s group are more like “caricatures” and don’t come across as completely believable to me. This was a “cozy” read but I’m not chomping at the bit for the next installment in this series.
Griffiths, best known for her Ruth Galloway series about a forensic archaeologist, presents us with the first book in a new series with The Zig Zag Girl. It’s 1950 in Brighton and Detective Inspector Edgar Stephens is called to the scene of a gruesome murder. At once Stephens is certain that this isn’t just some twisted individual who has done this, but someone who’s familiar with the magic tricks of Max Mephisto with whom Stephens served with in the war. They were a part of the Magic Men, a camouflage unit designed to trick the enemy. When another murder is committed, echoing another magic trick, Max and Edgar are sure that the answer lies somewhere in their past during their Magic Men days and when Stephens receives a letter outlining the next trick, he’s certain that the Magic Men themselves are in danger.
Missing from this novel is the humour and warmth that is so present in Galloway’s other series. Edgar and Max are relative loners and when family and other relationships are brought into the picture, it feels awkward. Perhaps Galloway’s intention is to completely distance herself from her first series and I’m willing to give her the benefit of the doubt. Let’s see what the next book in this series brings to the reader.
Every time I pick up a new Louise Penny novel, I feel like I’ve come home: home to familiar characters; home to Olivier’s bistro with apple and parsnip soup; home to the B&B with luscious, deep eiderdowns on the beds. And now Three Pines is home to someone else, too: Armand Gamache and his wife Reine-Marie. When tragedy strikes and their tranquil peace is disrupted, they discover that “Evil” has also taken up residence in their community.
There follows a tale of misguided loyalties, secrets kept for too long, and people who are not whom they appear to be. In the capacity as an advisor to Jean-Guy and Chief Inspector Isabelle Lacoste, Gamache begins to unwind this tangled tale and wonders, if he had acted sooner, if he could have prevented the events that then followed.
In this novel, Penny shows us how the past can affect every day of one’s present, and she does it admirably.
This isn’t the gripping story that we’re used to reading from Stephen Booth. Maybe it’s because of the loss of familiar characters and the introduction of new ones as E Division goes through some major staff changes: Ben Cooper is now a DI and is still dealing with his grief over losing his fiancé; Diane Fry is a DS with Major Crime in Nottingham; Gavin Murfin has retired from the force and is looking for work in the public sector; and DS Sharma is new to E Division and Ben isn’t quite sure where his loyalties lie. When Mac Kelsey’s transport truck gets stuck under a bridge in the small community of Shawhead and the cab of his truck is covered in blood but he’s nowhere to be found, E Division is set the task of solving his disappearance. Meanwhile, other officers are attending the scene of an apparent suicide. When a link between Kelsey and the suicide, Scott Brooks, is found Ben starts looking back 8 years to the tragic death of Ashley Flynn, Brooks’ fiancé.
Though there isn’t the same frisson of excitement in this book as in previous ones, the very clever conclusion makes up for it.