Agatha Christie published this book in 1938. But the story is timeless. Other than a brief mention of events in another part of the world, one could easily assume that this was a contemporary novel.
Simeon Lee, the patriarch of a family of four, insists that each of his children come home for Christmas. But don’t think that he plans on playing “happy families”. His intentions are the complete opposite. He does everything to goad each of his children by insulting them and denying their petty grievances and long-held grudges. Before the first Christmas cracker is even pulled, he’s found bludgeoned to death in his locked bedroom.
When the Chief Constable of Middleshire receives a call about the murder, he asks Poirot, who is spending Christmas with him, to come along while he investigates. Poirot’s ability to stand back, observe and listen is his forte. It’s not his “little grey cells” (who aren’t even mentioned), that allow him to understand the “human condition”, but his powers of observation. And it’s always that one word, or gesture, or look that, when observed by Poirot, seals the fate of the murderer.
A more clever mystery you won’t find. There’s a reason that Agatha Christie is known as “The Queen of Crime” and this novel says it all.
Saying good-bye to Cleeves’ great character, Jimmy Perez, in Wild Fire, the last book in that series, was difficult so I welcomed the thought that there was a new detective in town with this first book in the Two Rivers series. My excitement was short-lived as I began reading, puzzled at the underdeveloped, wooden characters and a plot that consisted of threads of a story that just didn’t tie together. I felt like I was reading an outline, or at best, a first draft.
Detective Matthew Venn returns to North Devon to attend the funeral of his father. His falling-out with his family is referenced but no substance is given to this estrangement. When a body is found on the beach, and it’s determined to be a murder, Venn is called in to take the case.
Peopled with some of the most distasteful characters that I’ve come across in a long time, the motivation and actions of some of them just doesn’t ring true. Many of the story lines and characters needed extensive fleshing-out in order to come together to create a credibly good mystery. Too bad this wasn’t done before the book went to publication.
What starts out as a routine visit to the zoo for Joan and her precocious four year old son Lincoln, soon turns into a run for their lives as someone is stalking and killing the animals and humans alike. This is the ultimate story of Mother-love and how the instinct to protect one’s young wins out over everything else.
I read this mesmerizing thriller in one sitting and I defy anyone to be able to put it down before you’ve reached the last page.
If you liked The Girl on the Train and Gone Girl then chances are you’ll like Ruth Ware’s latest. Lo Blacklock is a journalist who writes for a travel magazine and has just been given the best assignment imaginable: a week on board a luxury cruise. Feeling a bit fragile after being recently burgled, Lo is hoping that both the assignment and the atmosphere will help her regain her equilibrium.
When Lo witnesses a woman being thrown overboard, yet all passengers and crew are accounted for when she reports the incident, her credibility is quickly questioned. She’s determined to prove that she’s not mistaken and embarks on a dangerous path to find the truth of the matter.
Be prepared to share the tension, anxiety, paranoia and claustrophobia that Lo experiences as she searches for the answers to the questions: who was thrown overboard? And why?
When the body of a man is found in a car wreck on the Solway mud flats, it’s initially treated as an unfortunate accident. That is until he’s identified as a man who was declared dead two years previously. DI Marjory (Big Marge) Fleming is called in to assist in the investigation, much to the chagrin of DI Len Harris who is relegated to following her lead.
Her investigation finds that the dead man was part of a group called the Cyrenaics who believed that pleasure was the ultimate – until one of them died from an overdose. The group disbanded, with some moving away, others disappearing, and one supposedly committing suicide. It is this last person who is now the center of their investigation.
Fleming and her team are tasked with investigating the recent death while having to review the case of the overdose death two years previously. Their job is complicated enough without the constant hostility of Harris and his team who go as far as with-holding evidence with the aim of sabotaging the investigation.
A complicated case with complex characters leads to a whopping good mystery. Templeton is at the top of her game with this one.